James Carter

James Carter

Projects >> Tweed rivers interpretation project

This scheme, part of the Heritage Lottery funded Tweed Heritage project, developed interpretation at more than a dozen sites. They included a reconstructed Iron Age hut, a monument from the Scottish Enlightenment, the site of a local folk tale, and one of the Borders’ most famous viewpoints. I worked closely with Debbie Playfair, Project Manager, reporting to a diverse and enthusiastic steering group.

 
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  • Tweed 1
    Leaderfoot
    An eighteenth-century railway viaduct soars over the Tweed at a crossing point used since before Roman times. The aim of interpretation here was to provide a focus for the site, and to bring alive the significance of river crossings without using conventional media.
  • Tweed 3
    Sandstone seats celebrate the shape of the viaduct. Each is carved with a verse of a specially commissioned poem.
    Sculpture – Garry Fay
    Poem – Valerie Gillies
    Landscape architect – Peter Daniel
  • Tweed 2
    Landscape Architect Peter Daniel with the completed project, including some rather annoying bollards that were essential to stop cars reversing into the seats!
  • Tweed 4
    Sculptor Garry Fay selects the stone for his work.
  • Tweed 6
    Scott's View
    An iconic viewpoint in the Scottish Borders, this site has a poignant story to tell about its association with Sir Walter Scott. It’s also a place to appreciate the dramatic volcanic landscape and its wildlife.
  • Tweed 7
    Any interpretation here must complement its grand setting. Using sand-blasted stone slabs, we presented three short pieces of text with simple graphics.
  • Tweed 8
    The Sir Walter Scott connection.
    Graphic design and illustration – Ross Associates
  • Henderson Park 2
    Henderson Park
    We completely remodelled this small park in Coldstream, where the Tweed marks the border between Scotland and England.
  • Tweed 10
    A bow-fronted viewing platform opens up the view across the river. The project needed close liason with the local community, and it has revived the Park for them.
  • Tweed 11
    Railings by artist blacksmith Denys Mitchell evoke the national flower of Scotland.
  • Tweed 12
    Seven couplets by poet Valerie Gillies are ecthed into the handrail. Each couplet is inspired by one the many stories in the landscape beyond.
  • Tweed 13
    Dryhope Tower
    The best preserved example of a reiver’s strongholds from the Borders’ lawless past. The project stabilised the building, installed a spiral staircase to reach the roof, and interpretation to tell its stories.
  • Tweed 14
    Reconstruction drawings by David Simon help to place the building in the context of the landscape.
  • Tweed 15
    Hawick Mote
    The site of a twelfth century stronghold, this popular landmark is now surrounded by a housing estate and a primary school. Denys Mitchell created this ‘siege engine’ as a reminder of the mound’s stormy past.
  • Tweed 16
    Pupils from the school worked with local artist Irene Beston to produce artwork inspired by the Mote’s history. Some of their designs were used on an interpretation plaque attached to the siege engine.
  • Tweed 17
    The scheme included new decorations for the railings between the school and the Mote.
  • Tweed 18
    St Mary’s Loch
    Artist Matt Baker worked on one of the most ambitious projects in the programme, a sculpture entitled ‘Shinglehook’.
  • Tweed 19
    Bronze floats suggest a path of stepping stones across the loch.
  • Tweed 20
    The sculpture creates somewhere to sit and contemplate timelessness and change in this remote place.
    Shinglehook photos – Alan Devlin

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